{"id":226,"date":"2012-09-05T17:16:42","date_gmt":"2012-09-05T21:16:42","guid":{"rendered":"https:\/\/labelmelatin.kz79whtk-liquidwebsites.com\/?p=226"},"modified":"2022-06-08T18:16:02","modified_gmt":"2022-06-08T22:16:02","slug":"label-me-latinao-fall-2012-volume-ii","status":"publish","type":"post","link":"https:\/\/labelmelatin.com\/?p=226","title":{"rendered":"Label Me Latina\/o Fall 2012 Volume 2"},"content":{"rendered":"

Essays<\/strong><\/h2>\n

\u00a0<\/strong><\/p>\n

Imagining Cuba in Hijuelos\u2019s A Simple Habana Melody<\/a><\/strong><\/p>\n

By Jeremy Cass<\/em><\/strong><\/p>\n

Jeremy L. Cass<\/strong> is Associate Professor of Spanish at Furman University in Greenville, S.C., where he teaches Spanish language and Spanish-American culture and literature at all levels. His work on the Hispanic Caribbean has appeared in such journals as Romance Quarterly, Latin American Literary Review, South Atlantic Review, Latin American Theatre Review, Romance Notes,<\/em> La Torre<\/em>, and The Latin Americanist.<\/em><\/p>\n

\u00a0<\/strong><\/p>\n

Homoeroticism, Aids and the Quest for Identity in Latino Literature: Mapping New Frontiers in Personal, National and Ethical Borderlands<\/a><\/strong><\/p>\n

By Mark DeStephano, S.J.<\/em><\/strong><\/p>\n

Mark DeStephano<\/strong>, a native of Palisades Park, New Jersey, U.S.A. and a Jesuit priest, was awarded his bachelor’s degree in Philosophy and Spanish from Fordham University. He earned four degrees in Theology at the University of Toronto: Bachelor of Sacred Theology, Master of Divinity, Master of Theology, and a Licentiate in Sacred Theology. Following these studies, he continued his education at Harvard University, where he was awarded his master’s and doctoral degrees in Romance Languages and Literatures, with specialization in Medieval and Golden-Age Spanish Literature. For the past seventeen years, Dr. DeStephano has been Chairman and Professor of the Department of Modern and Classical Languages and Literatures, and Director and Professor of the Asian Studies Program at Saint Peter’s University in Jersey City, New Jersey, U.S.A. His research has focused on medieval European literatures and on issues of race, ethnicity, gender, and identity in Asian and Latino film and literature.<\/p>\n

\u00a0<\/em><\/strong><\/p>\n

Women\u2019s Earth-Binding Consciousness in So Far from God<\/em><\/a><\/strong><\/p>\n

By Rebeca Rosell Olmedo<\/em><\/strong><\/p>\n

Rebeca Rosell Olmedo <\/strong>is Assistant Professor of Spanish at Elon University where she also serves as Coordinator of Foreign Language Education. She earned her Ph.D in Hispanic Literature with a minor in Visual Studies from the University of North Carolina at Chapel Hill. Additionally she holds graduate degrees from Hollins University (M.A.L.S., with a concentration in Religion) and from the University of Northern Iowa (M.A., French).Her research interests include gender studies and interrelations between visual art and literature. She has recently published \u201cLa est\u00e9tica del male gaze: <\/em>Vislumbrando la iconograf\u00eda ecfr\u00e1stica en De sobremesa<\/em>\u201d in the Journal of Hispanic Modernism.<\/em><\/p>\n

 <\/p>\n

Espa\u00f1ol@lengua.personal.global<\/strong>\u00a0<\/strong><\/a><\/p>\n

By Graciela Susana Boruszko <\/em><\/strong><\/p>\n

Graciela Susana Boruszko<\/strong> is a Professor in the International Studies and Languages Division at Pepperdine University. Prior to joining the Pepperdine faculty, she served as Chair of the Modern Languages Department and Director for the Studies Abroad Program at Biola University. For much of her career, professor Boruszko focused on teaching and researching in the areas of Hispanic Philology, Comparative Literature and Linguistics, French Studies, French Philology, and Hispanic Studies, Literatures and Cultures. Dr. Boruskzo\u2019s multicultural background forged in her a passion for Cultural, Linguistic and Literary Studies in its multiple representations. Her research topics include: the transnational, identity, ethnicity, multiculturalism, migration, languages and its linguistic and literary spaces, Spanish Cultures, Latin American Cultures, linguistics, languages. As a result, Dr. Boruszko counts with many publications, nationally and internationally. Dr. Boruszko currently directs an international research group on Comparative Literature and Identity Issues. She also directs student research projects related to the same topics. Dr. Boruszko participated in numerous international and national Conferences, Symposiums and Colloquiums as well as serving as a visiting professor in countless international forums in Europe, Latin America and North America. Dr. Boruszko has earned a Licence de Lettres Modernes, Lettres et Langues, a Ma\u00eetrise de Lettres Modernes, Lettres et Langues, a DEA in Lettres and Langues from the Universit\u00e9 de Bourgogne in Dijon, France, a DEA in French Philology and a PhD degree in French Philology from the UNED Madrid, Spain.<\/p>\n

\u00a0<\/strong><\/p>\n

Memoir<\/strong><\/h2>\n

\u00a0<\/strong><\/p>\n

White Girls That Speak Spanish Better Than Me<\/a><\/strong><\/p>\n

By Scott Duncan<\/em><\/strong><\/p>\n

Scott Russell Duncan<\/strong> likes lingering and lurking. He is Californio, Hispano, and Texian, which means his mom was Mexican and his dad was White.\u00a0He received a BA from University of North Texas, and a MFA from Mills College where Oakland weather still makes him too weak for summers in Texas.\u00a0He is working on a novel called Ramonaland Dreaming<\/em>, a guidebook and fictional travel diary that follows his journey reclaiming the history, mythology, and nativity of Chicano California, all of which has much to do with a 19th century novel named, of course, Ramona<\/em>.<\/p>\n

 <\/p>\n

Grindia<\/a> <\/strong><\/p>\n

By <\/em><\/strong>Gizella Meneses<\/em><\/strong><\/p>\n

Gizella Meneses<\/strong>\u00a0Ph.D., Arizona State University) is an Assistant Professor of Spanish at Lake Forest College in Lake Forest, Illinois. She teaches courses in Spanish language, Latin American literature, Spanish for Heritage speakers, and Latin@ literature and culture in the United States. Her primary fields of research are first- and second-generation testimonials of Latin@ immigrants in the United States and race and ethnicity in contemporary and colonial oral traditions. Her documentary\u00a0entitled\u00a0Second Generation Stories: Growing Up Latino\/a in Chicago\u00a0<\/em>premiered at the International Chicago Latino Film Festival in 2010.<\/p>\n

 <\/p>\n

En espa\u00f1ol: A Mother’s Obsession and Self Discovery<\/a><\/strong><\/p>\n

By Gisela Norat<\/em><\/strong><\/p>\n

Gisela Norat<\/strong> is a Professor of Spanish at Agnes Scott College, a liberal arts college for women in Atlanta, Georgia, where she teaches Latina and Latin American women’s literature in the Spanish department and the Women’s Studies Program. She is author of Marginalities: Diamela Eltit and the Subversion of Mainstream Literature in Chile<\/em> published by the University of Delaware Press. Numerous articles on female Latin American and U.S Latina fiction writers have appeared in scholarly journals. Her latest research and publications focus on issues of motherhood.<\/p>\n

 <\/p>\n

The Myth of Cafe Con Leche and Other Heartbreak<\/a><\/strong><\/p>\n

By V. Lazaro Zamora<\/em><\/strong><\/p>\n

A native son of Chicago\u2019s west side, V. Lazaro Zamora<\/strong> earned his MFA at University of California, Riverside on a fellowship.\u00a0His non-fiction and fiction work have been published in various magazines and online journals, such as LQQK<\/em>, Caf\u00e9<\/em> and Verdad<\/em> and his plays have been featured at UC Riverside and he performs his spoken word poetry in the Los Angeles area.\u00a0A family man, U.S. Army veteran, former corporate executive and Latino activist, V\u2019s diverse background makes him a great story teller, disciplined writer and all around Renaissance man, whose focus is on the business of creating great entertainment and raising his art form.\u00a0He is an adjunct professor of English in his new home: Los Angeles, California.<\/p>\n

 <\/p>\n

Interview<\/strong><\/h2>\n

 <\/p>\n

La piel negra que transgrede: <\/strong>Entrevista a Yolanda Arroyo Pizarro por David Caleb Acevedo<\/strong><\/a><\/p>\n

Yolanda Arroyo Pizarro<\/strong> (Puerto Rico, 1970). Es novelista, cuentista y ensayista puertorrique\u00f1a. Fue elegida una de las escritoras latinoamericanas m\u00e1s importantes menores de 39 a\u00f1os del Bogot\u00e139 convocado por la UNESCO, el Hay Festival y la Secretar\u00eda de Cultura de Bogot\u00e1 en\u00a0 2007.\u00a0 Es editora en Jefe y Fundadora de Revista Boreales, adem\u00e1s de haber sido Jurado del Puerto Rico Queer Film Festival 2010, del Premio de Novela Las Am\u00e9ricas 2011 y del Premio Sor Juana In\u00e9s FIL Guadalajara 2011. Ha ofrecido talleres de creaci\u00f3n literaria para Purdue University en Indiana, Universidad de Puerto Rico en Mayag\u00fcez (Coloquio del Otro La\u2019o) y la Universidad Interamericana (Coloquio de la Mujer).\u00a0 Dirigi\u00f3 la selecci\u00f3n de la Antolog\u00eda Cachaperismos, primera en su clase que incluye poes\u00eda y narrativa lesboer\u00f3tica de puertorrique\u00f1as en 2010 y 2012. En la actualidad\u00a0 dicta talleres en Poets Passage en Viejo San Juan, Puerto Rico y es corresponsal de varios peri\u00f3dicos y revistas culturales.<\/p>\n

David Caleb Acevedo<\/strong> (1980) was born in San Juan, Puerto Rico, but he grew up in Hartford, Connecticut; he currently lives in R\u00edo Piedras, Puerto Rico. He is a writer of novels, short stories and poetry. He has published two poetry collections: Bestiario en nomenclatura binomial <\/em>(Editorial Aventis) and Emp\u00edrea: la Saga de la Nueva Ciudad<\/em> (Erizo Editorial). He is currently working on his first novel El Oneronauta<\/em>. His work has been published in several literary magazines, such as: Poui<\/em>, The Caribbean Writer<\/em>, Pastiche<\/em>, Tonguas<\/em>, Contornos<\/em>, L\u2019Antesala<\/em>, El s\u00f3tano 00931<\/em>, Ceiba<\/em>, Esencia y palabra<\/em> and Boreales<\/em>; as well as on the websites: Letras Salvajes<\/em>, En la orilla<\/em> and most recently on Cinosargo<\/em>. His work is featured in the following anthologies: Cuentos de oficio<\/em> (edited by Mayra Santos-Febres), Nueva poes\u00eda hispanoamericana<\/em> (edited by Leo Zelada), EM: Edici\u00f3n m\u00ednima<\/em> (edited by El s\u00f3tano 00931 editores), Los rostros de la hidra<\/em> (edited by Julio C\u00e9sar Pol), Open mic\/Micr\u00f3fono abierto<\/em> (Hostos Review vol. 2), Los otros cuerpos: antolog\u00eda de tem\u00e1tica gay, l\u00e9sbica y queer desde Puerto Rico y su di\u00e1spora<\/em> (coedited Luis Negr\u00f3n, Mois\u00e9s Agosto-Rosario and David Caleb Acevedo), and From Macho to Mariposa<\/em> (coedited by Charlie V\u00e1zquez and Charles Rice-Gonz\u00e1lez). He has translated several works into English, such as Yolanda Arroyo-Pizarro\u2019s Caparazones<\/em> (Caparaces<\/em>), Karen Sevilla\u2019s El mal de los azares<\/em> (The Mallady of Chances<\/em>), and Ana Mar\u00eda Fuster Lavin\u2019s El er\u00f3scopo<\/em> (The Eroscope<\/em>). He has won various prizes in literary contests like those of UPR of Humacao and R\u00edo Piedras as well as the ICPR in Mayag\u00fcez.<\/p>\n

 <\/p>\n

Creative Non-Fiction<\/strong><\/h2>\n

 <\/p>\n

The Commonwealth Exception-Puerto Rican Displacement and Marginalization Within and Outside the United States <\/a><\/strong><\/p>\n

By Sarah Zarate<\/em><\/strong><\/p>\n

Sarah Zarate<\/strong> is a graduate student at the Gerald R. Ford School of Public Policy at the University of Michigan-Ann Arbor where she is pursuing a Masters with a concentration on conflict resolution. She received her B.A. in Political Science with a minor in African Studies from the University of Wisconsin-Madison. In the future, she hopes to work in a policy field that allows her to explore ways of integrating (or enhancing) the ways in which marginalized groups are represented and given a voice in the public sphere.<\/p>\n

\u00a0<\/strong><\/p>\n

Short Story<\/strong><\/h2>\n

\u00a0<\/strong><\/p>\n

To Mother You<\/a><\/strong><\/p>\n

By Roberto Carlos Ortiz<\/em><\/strong><\/p>\n

Roberto Carlos Ortiz<\/strong> is a New Orleans-based Puerto Rican writer, independent scholar and video maker. His writings have appeared in the journals Centro<\/em>, Polari<\/em>, and Transverse<\/em>, among others. He is completing two academic book projects: Queer in Translation: Hispanic\/Latino Icons and Gay Culture<\/em> (for Intellect Books) and Hispanic Glamour: The Women of Classic Mexican Cinema<\/em>.<\/p>\n

 <\/p>\n

Cirilo y el doctor<\/a><\/strong><\/p>\n

By <\/em><\/strong>Mar\u00eda Eugenia Mayobre<\/em><\/strong><\/p>\n

Mar\u00eda Eugenia Mayobre<\/strong> was born in Caracas, Venezuela. She has a BA in Visual Arts from the UCAB (Venezuela) and a Masters Degree in Communications and Education from the UAB (Spain). She moved to Boston in 2007 and obtained a screenwriter certificate from Emerson College. She worked as a Spanish Lecturer at Boston College and currently works as a managing editor for Skyword Inc. Her first feature length screenplay, Not Like Mom<\/em>, won the 2009 Emerson Annual Screenwriting Prize and her short story Terrorista por Error<\/em> was selected by PEN Venezuela to be published in the fifth compilation of New Urban Narrative.<\/p>\n

\u00a0<\/em><\/p>\n

My Afternoon with Jesus<\/a><\/strong><\/p>\n

By <\/em><\/strong>Juan Alvarado Valdivia<\/em><\/strong><\/p>\n

The son of Peruvian parents, Juan Alvarado Valdivia<\/strong> was born in Guadalajara, Mexico and raised in Fremont, CA.\u00a0 He is a 2010 graduate of Saint Mary\u2019s College of California\u2019s MFA in Creative Writing with a Nonfiction emphasis. In 2011, he attended the Voices of Our Nations (VONA) Fiction workshop taught by ZZ Packer. In 2009, he attended the VONA Memoir workshop led by Asha Bandele. Last winter, he served an artist residency at The Helene Wurlitzer Foundation of New Mexico. He is working on completing a memoir titled The View From 4C<\/em>.<\/p>\n

\u00a0<\/strong><\/p>\n

Poetry<\/strong><\/h2>\n

\u00a0<\/strong><\/p>\n

Dos nenas caminan de la mano<\/a><\/strong><\/p>\n

By Yolanda Arroyo Pizarro<\/strong><\/p>\n

Yolanda Arroyo Pizarro<\/strong> (Puerto Rico, 1970). Es novelista, cuentista y ensayista puertorrique\u00f1a. Fue elegida una de las escritoras latinoamericanas m\u00e1s importantes menores de 39 a\u00f1os del Bogot\u00e139 convocado por la UNESCO, el Hay Festival y la Secretar\u00eda de Cultura de Bogot\u00e1 en\u00a0 2007.\u00a0 Es editora en Jefe y Fundadora de Revista Boreales, adem\u00e1s de haber sido Jurado del Puerto Rico Queer Film Festival 2010, del Premio de Novela Las Am\u00e9ricas 2011 y del Premio Sor Juana In\u00e9s FIL Guadalajara 2011. Ha ofrecido talleres de creaci\u00f3n literaria para Purdue University en Indiana, Universidad de Puerto Rico en Mayag\u00fcez (Coloquio del Otro La\u2019o) y la Universidad Interamericana (Coloquio de la Mujer).\u00a0 Dirigi\u00f3 la selecci\u00f3n de la Antolog\u00eda Cachaperismos, primera en su clase que incluye poes\u00eda y narrativa lesboer\u00f3tica de puertorrique\u00f1as en 2010 y 2012. En la actualidad\u00a0 dicta talleres en Poets Passage en Viejo San Juan, Puerto Rico y es corresponsal de varios peri\u00f3dicos y revistas culturales.<\/p>\n

 <\/p>\n

Dot Com Boom<\/a><\/strong><\/p>\n

By Cathy Arellano<\/em><\/strong><\/p>\n

Cathy Arellano<\/strong> is a Queer Xicana writer who\u2019s haunted by and obsessed with growing up in her large, working class, Mexican family in San Francisco\u2019s Mission District. In 2012, some of her poems have been or will be published in Malpa\u00eds Review, The M\u00e1s Tequila Review,<\/em> and Huizache<\/em>. In 2011, her poem \u201cCoyolxauqui\u201d was published in Turtle Island to Abya Yala: A Love Anthology of Art and Poetry by Native American and Latina Women<\/em>. Her work has also been published in the anthologies Chicana Lesbians: The Girls Our Mothers Warned Us About<\/em> as well as Days I Moved Through Ordinary Sounds: The Teachers of WritersCorps in Poetry and Prose<\/em>; journals and newspapers El Tecolote, Cipactli<\/em>, and Esperanza Peace & Justice Center\u2019s La Voz;<\/em> the blogs La Bloga <\/em>and Duke City Fix<\/em>. She earned a MFA in Nonfiction from the University of Iowa. She teaches Developmental English at Central New Mexico Community College, and Creative Writing at the University of New Mexico\u2019s Chicana and Chicano Studies Program. She\u2019s very happy when she facilitates groups \u201cin the community,\u201d such as last spring\u2019s \u201cFact, Fiction, and Funk: A Writing Workshop for Women of Color\u201d at the National Hispanic Cultural Center.<\/p>\n

\u00a0<\/strong><\/p>\n

The Other Color<\/a><\/strong><\/p>\n

By Jean Rockford Aguilar-Valdez<\/em><\/strong><\/p>\n

Jean Rockford Aguilar-Valdez<\/strong> was born and raised in Miami, Florida and is a light skinned Latina, a daughter of immigrants from Cuba and Panama, a former middle school science teacher in East Los Angeles, and a doctoral candidate in education in the Department of Teacher Education and Higher Education at The University of North Carolina at Greensboro. Her research interests include decolonizing science education, indigenous science, postcolonial feminism, Latin@ critical race theory, and social justice in regards to racial, immigration, political, and economic oppressions that Latin@s face in the realm of education. Her dissertation focuses on the testimonios of undocumented Latin@ high school students as they traverse the borderlands between the cultures of their roots and the expected assimilations they are forced to absorb, despite very real political limitations.<\/p>\n

\u00a0<\/strong><\/p>\n

Symbol: A River Poem by a Mexican American<\/a><\/strong><\/p>\n

By Ariana Monique Salazar-Newton<\/em><\/strong><\/p>\n

Ariana Salazar-Newton<\/strong> is a third-generation Mexican American from southern California. She is currently working on her Master of Divinity and Master of Arts in Christian Education at Princeton Theological Seminary. Her academic interests lie with race, gender<\/a>, sexuality<\/a>, and class. She is most interested in the borderland experience of Latin@s in the United States. This poem was originally written for a class at Princeton Theological Seminary (PTS), \u201cCrossing the Deep River,\u201d and presented at a PTS poetry caf\u00e9 (performance accessed here: http:\/\/www.youtube.com\/watch?v=nPnBjlNawag<\/span><\/a>).<\/p>\n

\u00a0<\/strong><\/p>\n

Sugar Cane <\/a><\/strong><\/p>\n

By Lucia Galleno <\/em><\/strong><\/p>\n

Lucia Galleno<\/strong> (Ph.D.) studied Romance Languages and Literatures with a Designated Emphasis in Film at the University of California, Berkeley. She has a Master Specialist in Counseling in Education, Mental Health. Dr. Galleno’s research is on learning, love, and humor. She has presented her work nationally and internationally. She works at Queens University of Charlotte in the Foreign Language Department.<\/p>\n","protected":false},"excerpt":{"rendered":"

Essays \u00a0 Imagining Cuba in Hijuelos\u2019s A Simple Habana Melody By Jeremy Cass Jeremy L. Cass is Associate Professor of Spanish at Furman University in Greenville, S.C., where he teaches Spanish language and Spanish-American culture and literature at all levels. His work on the Hispanic Caribbean has appeared in such journals as Romance Quarterly, Latin […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[12],"tags":[],"class_list":["post-226","post","type-post","status-publish","format-standard","hentry","category-fall-2012"],"yoast_head":"\nLabel Me Latina\/o Fall 2012 Volume 2 - Label Me Latina\/o<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/labelmelatin.com\/?p=226\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Label Me Latina\/o Fall 2012 Volume 2 - Label Me Latina\/o\" \/>\n<meta property=\"og:description\" content=\"Essays \u00a0 Imagining Cuba in Hijuelos\u2019s A Simple Habana Melody By Jeremy Cass Jeremy L. 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His work on the Hispanic Caribbean has appeared in such journals as Romance Quarterly, Latin […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/labelmelatin.com\/?p=226\" \/>\n<meta property=\"og:site_name\" content=\"Label Me Latina\/o\" \/>\n<meta property=\"article:published_time\" content=\"2012-09-05T21:16:42+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-06-08T22:16:02+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/labelmelatin.com\/wp-content\/uploads\/2022\/06\/lablemelatino.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"630\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Michele Shaul\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Michele Shaul\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"13 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/labelmelatin.com\\\/?p=226#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/labelmelatin.com\\\/?p=226\"},\"author\":{\"name\":\"Michele Shaul\",\"@id\":\"https:\\\/\\\/labelmelatin.com\\\/#\\\/schema\\\/person\\\/4ad16d216d5413bd89805a85af33b845\"},\"headline\":\"Label Me Latina\\\/o Fall 2012 Volume 2\",\"datePublished\":\"2012-09-05T21:16:42+00:00\",\"dateModified\":\"2022-06-08T22:16:02+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/labelmelatin.com\\\/?p=226\"},\"wordCount\":2601,\"articleSection\":[\"Fall\"],\"inLanguage\":\"en\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/labelmelatin.com\\\/?p=226\",\"url\":\"https:\\\/\\\/labelmelatin.com\\\/?p=226\",\"name\":\"Label Me Latina\\\/o Fall 2012 Volume 2 - Label Me Latina\\\/o\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/labelmelatin.com\\\/#website\"},\"datePublished\":\"2012-09-05T21:16:42+00:00\",\"dateModified\":\"2022-06-08T22:16:02+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/labelmelatin.com\\\/#\\\/schema\\\/person\\\/4ad16d216d5413bd89805a85af33b845\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/labelmelatin.com\\\/?p=226#breadcrumb\"},\"inLanguage\":\"en\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/labelmelatin.com\\\/?p=226\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/labelmelatin.com\\\/?p=226#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/labelmelatin.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Label Me Latina\\\/o Fall 2012 Volume 2\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/labelmelatin.com\\\/#website\",\"url\":\"https:\\\/\\\/labelmelatin.com\\\/\",\"name\":\"Label Me Latina\\\/o\",\"description\":\"Label Me Latina\\\/o is an e-journal that focuses on Latina\\\/o\\\/x\\\/e Literary Production in the twentieth and twenty-first centuries\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/labelmelatin.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/labelmelatin.com\\\/#\\\/schema\\\/person\\\/4ad16d216d5413bd89805a85af33b845\",\"name\":\"Michele Shaul\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/b580a3e5e74ef188fb5e88c0ae5f226959a6b4950967778dded7afb0d3cd639f?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/b580a3e5e74ef188fb5e88c0ae5f226959a6b4950967778dded7afb0d3cd639f?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/b580a3e5e74ef188fb5e88c0ae5f226959a6b4950967778dded7afb0d3cd639f?s=96&d=mm&r=g\",\"caption\":\"Michele Shaul\"},\"url\":\"https:\\\/\\\/labelmelatin.com\\\/?author=2\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Label Me Latina\/o Fall 2012 Volume 2 - Label Me Latina\/o","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/labelmelatin.com\/?p=226","og_locale":"en_US","og_type":"article","og_title":"Label Me Latina\/o Fall 2012 Volume 2 - Label Me Latina\/o","og_description":"Essays \u00a0 Imagining Cuba in Hijuelos\u2019s A Simple Habana Melody By Jeremy Cass Jeremy L. Cass is Associate Professor of Spanish at Furman University in Greenville, S.C., where he teaches Spanish language and Spanish-American culture and literature at all levels. 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