{"id":299,"date":"2013-08-29T11:25:42","date_gmt":"2013-08-29T15:25:42","guid":{"rendered":"https:\/\/labelmelatin.kz79whtk-liquidwebsites.com\/?p=299"},"modified":"2022-06-08T18:16:40","modified_gmt":"2022-06-08T22:16:40","slug":"label-me-latinao-fall-2013-volume-iii","status":"publish","type":"post","link":"https:\/\/labelmelatin.com\/?p=299","title":{"rendered":"Label Me Latina\/o Fall 2013 Volume 3"},"content":{"rendered":"

Essays<\/strong><\/h2>\n

\u00a0<\/span><\/strong><\/p>\n

A Space for Resistance and Possibility: Confronting Borders through Narrative and Santer\u00eda in Cristina Garc\u00eda\u2019s Dreaming in Cuban<\/em><\/a><\/strong><\/p>\n

By Amanda Easton<\/em><\/strong><\/p>\n

Amanda L. Easton<\/strong>\u00a0is\u00a0a\u00a0PhD\u00a0student\u00a0in\u00a0English Literature and Cultural Theory at the University of Wisconsin-Milwaukee where she specializes in writing by women. Her research interests also include 19th<\/sup> century British and American literature, Irish women writers, gender and cultural studies, aging in literature, and issues of body dysmorphia in relation to bourgeois shopping cultures.<\/p>\n

\u00a0<\/strong><\/p>\n

Revolving Identity in Esmeralda Santiago\u2019s Almost a Woman<\/em><\/a><\/strong><\/p>\n

By Jaclyn Salkauski<\/em><\/strong><\/p>\n

Dr. Jaclyn Salkauski<\/strong> received her doctorate in Spanish (Latin American Literature) from Florida State University. In 2009, she received The Ada-Belle Winthrop King Research Grant to conduct studies in Puerto Rico. Her research explores Hispanophone, Anglophone, and Francophone Caribbean literature, focusing on the role of race and gender in postcolonial identities. She currently teaches at Indiana University.<\/p>\n

\u00a0<\/strong><\/p>\n

Just About Me: Shame, Narcissistic Masochism and Camp in Emanuel Xavier\u2019s Christ-Like<\/em> (1999)<\/a> <\/strong><\/p>\n

By <\/em><\/strong>Mar\u00eda Celina Bortolotto<\/em><\/strong><\/p>\n

Mar\u00eda Celina Bortolotto<\/strong> started in her position as full time Lecturer in the Spanish Program at Massey University in May 2011. Her research focuses on exploring the interrelation between cultural values and individual emotions as it is represented in literary fiction. Her published and current work offers a particular interdisciplinary approach to read and interpret the relation between emotions (especially shame and humor) and cultural identities in contemporary fiction from the Caribbean, Latin America and the U.S., bringing together literary criticism, psychoanalytical research and postcolonial and gender theory.<\/p>\n

 <\/p>\n

Let’s Get Ready to Rumba: Wrestling with Stereotypes in Kristoffer D\u00edaz’s The Elaborate Entrance of Chad Deity<\/em><\/a><\/em><\/strong><\/p>\n

By Kimberly del Busto Ram\u00edrez<\/em><\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Kimberly del Busto Ram\u00edrez<\/strong> is Associate Professor of English at LaGuardia Community College at the City of New York where she teaches writing, drama, and Latin@ Literature.\u00a0 She holds a Ph.D. in Theatre from CUNY Graduate Center and an M.F.A. in Dramatic Writing from the University of Georgia. An interdisciplinary scholar and artist, Dr. Ram\u00edrez has a background in theatre, performance, Latin@ studies, film, communications, creative writing, visual arts, and women’s studies. She is currently completing a manuscript examining performance and the Cuban-American Operation Pedro Pan exodus.<\/p>\n

\u00a0<\/strong><\/p>\n

Poetry <\/strong><\/h2>\n

 <\/p>\n

Maravilla<\/a><\/strong><\/p>\n

By Diane Solis<\/em><\/strong><\/p>\n

Diane Solis<\/strong>–science writer, photographer, singer of story songs–lives with her life partner in the Pacific southwest where she\u2019s writing a memoir in poetry, short stories, and essays about her relationship with her father. Her recent poems appear in Avocet<\/em>, Packingtown Review<\/em>, Short<\/em>, Fast<\/em>, and Deadly<\/em>, and elsewhere.<\/p>\n

\u00a0<\/strong><\/p>\n

Where I\u2019m From<\/a><\/strong><\/p>\n

By <\/em><\/strong>Secilia Corona<\/em><\/strong><\/p>\n

Born in South Central, Los Angeles, Secilia Corona<\/strong>, grew up knowing nothing less, nor greater than her own home in Watts. She is now ready to complete her first year at Los Angeles Harbor Community College and continues to live in her childhood home. Her goal is to earn a Bachelor\u2019s Degree in Criminal Justice. Poetry inspires her life.\u00a0Her poem \u201cWhere I\u2019m From\u201d is about her experiences growing up in South Central Los Angeles.<\/p>\n

\u00a0<\/strong><\/p>\n

Short Story<\/strong><\/h2>\n

 <\/p>\n

Captain Kirk Wasn’t a Doll Like That<\/a><\/strong><\/p>\n

By Scott Duncan<\/em><\/strong><\/p>\n

Scott Duncan<\/strong>, frankly, is a lingerer and a lurker.\u00a0He\u2019s seen a president eat enchiladas, escaped being held hostage by nuns, fled Mills College with an MFA, and makes his lair in Oakland.\u00a0Scott\u2019s ancestors are Californio, Hispano, and Texian, so he\u2019s half white guy and Mexican. His novel in progress is The Ramona Diary of SRD<\/em>, a fictional travel diary reclaiming the mythology of Chicano California, which has much to do with a 19th century book named Ramona<\/em>.\u00a0A chapter appears in the 2012 summer issue of Border Senses<\/em>.<\/p>\n

 <\/p>\n

El desierto<\/a><\/strong><\/p>\n

By Luc\u00eda Galleno<\/em><\/strong><\/p>\n

Luc\u00eda Galleno<\/strong> is an Assistant Professor of Spanish in the Department of World Languages at Queens University of Charlotte. Her interdisciplinary studies in the Humanities, the Arts, and Social Sciences support her writing as well as her community engagement in the Charlotte area and abroad. Lucia\u2019s areas of interests are humor, drama, and love.\u00a0Currently she is preparing to write short stories that are set in her parent\u2019s home town in Pisco, Peru.<\/p>\n

\u00a0<\/strong><\/p>\n

Vaciarse<\/a><\/strong><\/p>\n

By R. E. Toledo<\/em><\/strong><\/p>\n

R.E. Toledo<\/strong> (Mexico, 1968) got her Bachelor\u2019s degree from the University of Texas, at Austin (1994). She completed her MA in Spanish at the University of Tennessee (2000) and a MFA in creative writing in Spanish from New York University (2012). She currently teaches at the University of Tennessee, Knoxville. She served as coeditor to the third edition of Imanhattan<\/em>, the electronic magazine of the creative writing in Spanish program at NYU. Her first collection of poetry Pregonero despertar de voces<\/em> was published by Abismos Editorial (Mexico, 2013). Her most recent projects include the translation of poetry by Billy Collins and her poetry collections Azules sue\u00f1os naranjas<\/em> and Vac\u00edos<\/em>.<\/p>\n

\u00a0<\/strong><\/p>\n

Aquellos d\u00edas de Mar<\/a><\/strong><\/p>\n

By Pedro Medina<\/em><\/strong><\/p>\n

Pedro Medina <\/strong>es autor de los libros Streets de Miami<\/em> (Axiara, USA 2012) y Ma\u00f1ana no te ver\u00e9 en Miami<\/em> (Ediciones Oblicuas, Espa\u00f1a 2013). Sus cuentos han sido incluidos en las antolog\u00edas Cruce de fronteras<\/em> (Editorial Axiara, USA 2103) y Poetas y Narradores del 2007<\/em> (Instituto de la Cultura Peruana de Miami 2007). Colaborador en \u00a0medios culturales como la Revista Nagari<\/em> (Miami), Revista Conexos<\/em> (Miami), Latina Noticias<\/em> (Miami), Label Me Latina\/o<\/em> (North Carolina\/New Jersey), entre otras.\u00a0En el a\u00f1o 2009 fund\u00f3\u00a0la Revista Cultural Sub-Urbano<\/em> (Miami), de la cual es editor general. Hoy\u00a0<\/span><\/span>Sub-Urbano<\/span><\/em><\/a>\u00a0es considerada por varios medios como la revista cultural-literaria hispana m\u00e1s importante de los Estados Unidos. A inicios del 2013 cre\u00f3 el sello editorial digital Sub-Urbano eBooks, del cual es tambi\u00e9n editor. Tiene un Bachelors in Literature (Florida International University), Minor in Sociology (Florida International University) y estudios de Derecho y Ciencias Pol\u00edticas (Universidad de Lima, Per\u00fa). <\/span><\/span><\/p>\n

Website: <\/span>www.pedromedinaleon.com<\/span><\/a><\/p>\n

\u00a0<\/span>\u00a0<\/strong><\/p>\n

A Spoonful of My Past<\/a><\/strong><\/p>\n

By Jos\u00e9 G. V\u00e1zquez<\/em><\/strong><\/p>\n

A self-described ArteSano (artisan), Jos\u00e9 V\u00e1zquez<\/strong> was born in Mexico and has resided in Charlotte, NC since 1996. Jos\u00e9 writes poetry and prose. He is also a photographer and creates sculptures and paintings mostly with found materials. V\u00e1zquez believes that things, like people, deserve a second chance. He can\u2019t sing.<\/p>\n","protected":false},"excerpt":{"rendered":"

Essays \u00a0 A Space for Resistance and Possibility: Confronting Borders through Narrative and Santer\u00eda in Cristina Garc\u00eda\u2019s Dreaming in Cuban By Amanda Easton Amanda L. Easton\u00a0is\u00a0a\u00a0PhD\u00a0student\u00a0in\u00a0English Literature and Cultural Theory at the University of Wisconsin-Milwaukee where she specializes in writing by women. Her research interests also include 19th century British and American literature, Irish women […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[18],"tags":[],"class_list":["post-299","post","type-post","status-publish","format-standard","hentry","category-fall-volume-03-2013"],"yoast_head":"\nLabel Me Latina\/o Fall 2013 Volume 3 - Label Me Latina\/o<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/labelmelatin.com\/?p=299\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Label Me Latina\/o Fall 2013 Volume 3 - Label Me Latina\/o\" \/>\n<meta property=\"og:description\" content=\"Essays \u00a0 A Space for Resistance and Possibility: Confronting Borders through Narrative and Santer\u00eda in Cristina Garc\u00eda\u2019s Dreaming in Cuban By Amanda Easton Amanda L. 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