{"id":814,"date":"2018-03-22T22:12:16","date_gmt":"2018-03-23T02:12:16","guid":{"rendered":"https:\/\/labelmelatin.kz79whtk-liquidwebsites.com\/?p=814"},"modified":"2022-06-08T18:19:51","modified_gmt":"2022-06-08T22:19:51","slug":"label-me-latina-o-spring-2018-volume-viii","status":"publish","type":"post","link":"https:\/\/labelmelatin.com\/?p=814","title":{"rendered":"Label Me Latina\/o Spring 2018 Volume 8"},"content":{"rendered":"

Essays<\/strong><\/h2>\n

Re-Envisioning the Latino South and the Cultural Poetics of Angela de Hoyos: <\/em><\/strong>A Transfrontera Synthesis<\/em><\/strong><\/a><\/p>\n

By Antonio L. V\u00e1squez<\/strong><\/p>\n

Antonio L. V\u00e1squez<\/strong> is a first-generation college graduate who holds a Ph.D. in Chicano\/Latino Studies and American Studies from Michigan State University and a M.A. in International Relations from St. Mary\u2019s University. Born and raised in South San Antonio, Texas, he has lived and worked in the southern United States for most of his professional career in both academia and the non-profit world in Georgia, North Carolina, and, more recently, Middle Tennessee State University. For follow-up constructive comments and\/or suggestions, please free to contact Dr. V\u00e1squez at avasque37@gmail.com<\/p>\n

Conflicted Borderlands and Nepantla Theory in Himilce Novas\u2019 Mangos, Bananas, Coconuts: A Cuban Love Story<\/em><\/strong><\/a><\/p>\n

By Susan C. M\u00e9ndez<\/strong><\/p>\n

Susan C. M\u00e9ndez<\/strong> earned her doctorate at the University of California, Riverside. She is an Associate Professor in the Department of English & Theatre at the University of Scranton, and teaches Multi-Ethnic American literature. M\u00e9ndez\u2019s courses are cross-listed with the Women\u2019s Studies, Latin American Studies, and Peace and Justice Studies Programs. Her research primarily addresses Latina\/o literary texts, namely novels. Her publications have appeared in the following journals: Centro: Journal of the Center for Puerto Rican Studies<\/em>, Confluencia: Revista Hispanica de Cultura y Literatura<\/em>, Chicana\/Latina Studies<\/em>, Afro-Hispanic Review<\/em>, MaCom\u00e8re: The Journal of the Association of Caribbean Women Writers and Scholars<\/em>, Jesuit Higher Education: A Journal<\/em>, Letras Hispanas: Revista de Literatura y Cultura<\/em>, and Hypatia: A Journal of Feminist Philosophy.<\/em><\/p>\n

Las dos caras de la reivindicaci\u00f3n social en Yo-Yo Boing!<\/em><\/strong><\/a><\/p>\n

By Jos\u00e9 Mar\u00eda Valle Narciso<\/strong><\/p>\n

Jos\u00e9 Mar\u00eda Valle Narciso<\/strong> was born and raised in Valencia, Spain where he obtained his Bachelor’s Degree in Translation and Interlinguistic Mediation\u00a0from the Universitat de Val\u00e8ncia. During this period, he also studied in Germany and in the United States (at Johannes Gutenberg Universit\u00e4t Mainz and at UNCW respectively). Subsequently, he moved to Seville, Spain and earned a Master’s Degree in\u00a0Audiovisual\u00a0Translation through the Instituto Superior de Estudios Ling\u00fc\u00edsticos y Traducci\u00f3n and the Universidad de C\u00e1diz. He returned to UNCW to pursue a Master of Arts Degree in Spanish as a Teaching Assistant and to continue his journey towards\u00a0ultimately\u00a0earning a Ph. D.<\/p>\n

Health Risks to Latinas: An Indictment of Marianismo <\/em><\/strong><\/a><\/p>\n

By Gisela Norat <\/strong><\/p>\n

Gisela Norat<\/strong> is a Professor of Spanish at Agnes Scott College, a liberal arts college for women in Atlanta. She specializes in Latina and Latin American women’s literature.\u00a0 She is author of Marginalities: Diamela Eltit and the Subversion of Mainstream Literature in Chile<\/em> and scholarly articles on U.S Latina and Latin American women\u2019s writing. Her latest research and publications focus on issues of motherhood.<\/p>\n

Poetry<\/strong><\/h2>\n

El exilio era esto<\/strong><\/a><\/p>\n

By Loli Molina Mu\u00f1oz<\/strong><\/p>\n

Loli Molina Mu\u00f1oz\u00a0<\/strong>is a\u00a0Spanish teacher of Elementary Education in Columbia, SC who is pursuing a Ph.D. Her dissertation focuses on science fiction literature written by women in Spanish and English.\u00a0Her poetry has appeared in\u00a0Poemas al director by<\/em>\u00a0Guillermo Spottorno (Bubok 2013)\u00a0Antolog\u00eda Whitestar<\/em>\u00a0dedicated to\u00a0David Bowie<\/a>(Palabristas 2016); and\u00a0Vive San Valent\u00edn<\/em>\u00a0(ViveLibro 2017). Her book\u00a0poemAnuario<\/em>\u00a0was published in 2016, and her second book Expatriados<\/em> was published in 2017.<\/p>\n

En Eritrea<\/strong><\/a><\/p>\n

By Margarita Dager-Uscocovich <\/strong><\/p>\n

Margarita Dager-Uscocovich<\/strong> was born in Guayaquil Ecuador in 1967. She has written since she was ten years old beginning with small pieces in student newspapers, and then as editor of the school newspaper at Urdesa High School in 1986 in Ecuador. Living in numerous countries both in Europe and the Americas combined with her different maternal and paternal heritages has provided her with a broad perspective that allows her to communicate her emotions. Margarita has never published professionally but she has contributed editorials to Mundo Latino<\/em>, a local Charlotte newspaper. Her poetry has been included in previous ARTE LATINO NOW exhibitions (2016, 2017 and 2018) as well as in the El Quixote Festival sponsored by Artist Studio Project. She has been a finalist in several international literary competitions in Spain, Argentina, Mexico and Uruguay and her poetry and short stories has been part of eight anthologies so far.<\/u><\/p>\n

Grandma is a voice on the phone<\/strong><\/a><\/p>\n

By Marlene Labastida<\/strong><\/p>\n

Marlene Labastida<\/strong> was born in Mexico and grew up in Oakland, California. Her poetry explores and narrates the stories of immigrant youth, particularly around the DACA experience of growing up undocumented. Marlene graduated from Dartmouth College with B.A. in Economics and did graduate studies at The Wharton School of the University of Pennsylvania.\u00a0 Marlene has performed her work at the Dreamer Fund’s Undocufest, a fundraiser for undocumented college students, and at local San Francisco Bay Area public library events.<\/p>\n

Short Story <\/strong><\/h2>\n

Unclean<\/strong><\/a><\/p>\n

By Amanda Rodriguez<\/strong><\/p>\n

Amanda Rodriguez is a queer, first generation Cuban-American and an environmental activist living in Weaverville, NC. She hold an MFA from Queens University of Charlotte, NC. Her short fiction, flash fiction, creative nonfiction, and poetry can be found in Germ Magazine<\/em>, Pine Mountain Sand & Gravel<\/em>, Mud Season Review<\/em>, Thoughtful Dog<\/em>, Rigorous<\/em>, Stoneboat Literary Journal<\/em>, Change Seven<\/em>, Cold Creek Review<\/em>, The Acentos Review<\/em>, NILVX<\/em> (upcoming), and Lou Lit Review<\/em> (upcoming).<\/p>\n

Have you ever been in love?<\/strong><\/a><\/p>\n

By Karina Alma<\/strong><\/p>\n

Karina Alma<\/strong>, formerly known as Karina Oliva Alvarado, earned a B.A. in English and a Ph.D. in Ethnic Studies, both at U.C. Berkeley. She teaches on U.S. Central American, Chicana\/o, and Latino literatures and communities and has taught in the Chicana and Chicano studies department at UCLA for the last five years. She co-edited a book with Alicia Ivonne Estrada (CSUN) and Ester Hernandez (CSULA) titled U.S. Central Americans, Reconstructing Memories, Struggles, and Communities of Resistance<\/em> (2017) published by Arizona University Press. She is also a poet. Her poems are found in The Wandering Song: Central American Writing in the United States<\/em> (2017), Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts in Los Angeles<\/em> (2016) among other books and online journals.<\/p>\n

Dreaming of Soulmates<\/strong><\/a><\/p>\n

By Lydia Isales<\/strong><\/p>\n

Lydia Isales<\/strong> was born and raised in San Juan, Puerto Rico. She went to college at Tufts University, obtaining a B.A. with a double major in Psychology and Spanish Literature in 1981. She obtained a J.D. from the University of Pennsylvania Law School in 1984. In 2014, after approximately thirty years, Lydia retired from the EPA in Philadelphia, PA. She moved to Atlanta, Georgia in 2016 and is enjoying the warmer weather. Lydia had two short stories published in\u00a0Rigorous<\/em>, an on-line journal, in February 2018.<\/p>\n

Creative Nonfiction\/Interview<\/strong><\/h2>\n

Reconstruyendo Imaginarios and ReWriting AfroLatina Representations A Dialogue Between\u00a0NeoSoul World Music Singer, Filmmaker & Founder\/Director of Latinegras\u00ae<\/strong><\/a><\/p>\n

By Omilani Alarc\u00f3n and Indhira Serrano<\/strong><\/p>\n

Omilani Alarc\u00f3n\u00a0<\/strong>is a graduate of Cornell University in Ithaca, NY. She graduated summa cum laude and upon graduation, immediately embarked upon a Fulbright Hays-Group Project Abroad in Nigeria where she studied the Yoruba language at Obafemi Awolowo University. She completed a study at the University of Cambridge (UK) for her Masters thesis as well as returned to Africa and the Caribbean for further fieldwork. Ms.\u00a0Alarc\u00f3n\u00a0is a visual and performing artist, poet, scholar and Founder of the Latinegras brand. She has over eight scholarly publications, five musical CDs, and was in the top 7 GRAMMY Showcase Finalists. She is fluent in four languages other than English and has traveled and studied business, languages, and performing arts in Europe, Africa, the Caribbean and the Americas.\u00a0\u00a0Her current project is a documentary, “LATINEGRAS: Love the Skin You’re In” which chronicles the lives of AfroLatina women and their journeys towards self-definition. They confront challenges using them as catalysts for education, social change, and uniting communities.<\/p>\n

Indhira Serrano<\/strong> is a well-known Colombian actress of stage and screen, child advocate, and activist. She began her career in early 1990s as a TV host\/presenter for Telecaribe in Colombia. She later moved to Caracas, Venezuela to study the Strasberg Method Acting under Ralf Kinnard (1998 \u2013 2002). She began appearing on television commercials and drama series in 1997, before landing her first leading role in the film Piel<\/em> (1998). She also appeared in the film Love in The Time Of Cholera<\/em> as Barbara Lynch in 2007, Paraiso Travel<\/em> (2009), and Retratos en un mar de mentiras<\/em> (2010). Serrano is best known for her performances in the series Amor sincero<\/em>. (2009), El Clon<\/em> (2010) Flor salvaje<\/em> (2011) Tres milagros<\/em> (2011), Tiro de gracia<\/em> (2014), Celia<\/em> (2015) and Az\u00facar<\/em> (2016). Serrano is particularly known for her commitment to acting and versatility in her roles. She enjoys a reputation as one of Colombia\u2019s best stage actresses. Her work includes roles in successful plays such as El Traje nuevo del emperador<\/em> (2005), Do\u00f1a Flor y sus 2 maridos<\/em> (2009), A 2.50 La Cuba Libre<\/em> (2011), Blackout<\/em> (2011), La leyenda de Mar\u00eda Barilla<\/em> (2012), and El Show de las divorciadas<\/em> (2015). Serrano is currently performing in an adaptation of Eve Ensler\u2019s Vagina Monologues<\/em> in Colombia\u2019s Teatro Nacional. She has also received multiple nominations in Colombia as supporting actress. Her nominated roles are for Amor sincero<\/em> (2010), Tres milagros<\/em> (2011), Postales colombianas<\/em> (2012), and Todos se van<\/em> (2015). Serrano is the current president of ACTORES SCG, a Colombian Collective Management Organization and has been and advocate and activist for Artist Rights since 2010.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Essays Re-Envisioning the Latino South and the Cultural Poetics of Angela de Hoyos: A Transfrontera Synthesis By Antonio L. V\u00e1squez Antonio L. V\u00e1squez is a first-generation college graduate who holds a Ph.D. in Chicano\/Latino Studies and American Studies from Michigan State University and a M.A. in International Relations from St. Mary\u2019s University. Born and raised […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[41],"tags":[],"class_list":["post-814","post","type-post","status-publish","format-standard","hentry","category-spring-volume-08-2018"],"yoast_head":"\nLabel Me Latina\/o Spring 2018 Volume 8 - Label Me Latina\/o<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/labelmelatin.com\/?p=814\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Label Me Latina\/o Spring 2018 Volume 8 - Label Me Latina\/o\" \/>\n<meta property=\"og:description\" content=\"Essays Re-Envisioning the Latino South and the Cultural Poetics of Angela de Hoyos: A Transfrontera Synthesis By Antonio L. 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