{"id":900,"date":"2018-09-09T17:02:14","date_gmt":"2018-09-09T21:02:14","guid":{"rendered":"https:\/\/labelmelatin.kz79whtk-liquidwebsites.com\/?p=900"},"modified":"2022-06-08T18:20:10","modified_gmt":"2022-06-08T22:20:10","slug":"label-me-latina-o-fall-2018-volume-viii","status":"publish","type":"post","link":"https:\/\/labelmelatin.com\/?p=900","title":{"rendered":"Label Me Latina\/o Fall 2018 Volume 8"},"content":{"rendered":"

Essay<\/strong><\/h2>\n

Virgil Su\u00e1rez: memoria y perspectiva ex\u00edlica en la literatura cubano-americana<\/strong><\/a><\/p>\n

By Ra\u00fal Rosales Herrera<\/strong><\/p>\n

Ra\u00fal Rosales Herrera<\/strong> earned his doctorate at Columbia University. He is Associate Professor of Spanish at Drew University in Madison, NJ. His research explores the intersection of autobiographical theory, self-representation, and memory discourses, including postmemory in contemporary Latinx fiction and Cuban diasporic narrative. His publications have appeared in the journals Tinta, Hispania, Caribe, <\/em>and Camino Real, <\/em>and in the anthologies Language and Identity in Chicano\/Latino Discourse<\/em>,\u00a0Fotogramas para la multiculturalidad: migraciones y alteridad en el cine espa\u00f1ol contempor\u00e1neo<\/em>, and Latinos and American Popular Culture<\/em>. His book\u00a0Fictional First-Person Discourses in Cuban Diaspora Novels <\/em>was released in 2012. A National Endowment for the Humanities fellowship recipient, he also chairs the subject area “Latin Americans and Latinos: Identity Issues and Cultural Stereotypes” for the Popular Culture Association.<\/p>\n

“The Fourth Choice:” Forging the Future of Chicanx Mother\/Daughter Relationships through Storytelling and The Path of Conocimiento in Erika S\u00e1nchez\u2019s I\u2019m Not Your Perfect Mexican Daughter<\/em> and Barbara Renaud Gonz\u00e1lez\u2019s Golondrina, why did You Leave Me?<\/em><\/strong><\/a><\/p>\n

By <\/strong>Margaret Cant\u00fa-S\u00e1nchez<\/strong><\/p>\n

Margaret Cant\u00fa-S\u00e1nchez<\/strong> teaches composition and literature courses with a focus on Latinx theory and literature at St. Mary\u2019s University. Her research focuses on the identity conflict which Anglocentric institutions of learning impose upon Latinx students. As an instructor at a Hispanic Serving Institution, she strives to include multicultural texts in all courses, especially in the core curriculum. Her publications explore how to approach the teaching of Latinx literature and theory; currently, she is working on a book project focusing on the use of Gloria Anzald\u00faa\u2019s philosophies as interdisciplinary pedagogy.<\/p>\n

Creative Non-fiction<\/strong><\/h2>\n

Hondure\u00f1a-Americanah<\/strong><\/a><\/p>\n

By Joanna E. Sanchez-Avila<\/strong><\/p>\n

Joanna E. Sanchez-Avila\u00a0<\/strong>is a Hondure\u00f1a-Americanah who was raised in her parents\u2019 occupation, an ice cream truck. This was her first educational site which exposed her to the streets and peoples of Koreatown and South Central Los Angeles, California. Her upbringing influences adamant beliefs in the potential of everyday stories that can be crafted through many creative outlets such as reflective writing, visual texts, multi-modal\/sensorial texts, and fa(t)shion\u2019s \u2018style as resistance\u2019 ethos. She is a doctoral student in Rhetoric, Composition, and the Teaching of English (RCTE) at the University of Arizona in Tucson. Her research interests include utilizing ghosts and hauntings as theoretical lenses to examine how Hondurans and Honduran-Americans create, produce, and enact their identities transnationally through various forms and practices of remembering.<\/p>\n

Theater<\/strong><\/h2>\n

Linda (Spanish version)<\/strong><\/a><\/p>\n

Linda (English version)<\/strong><\/a><\/p>\n

By Diana Burbano <\/strong><\/p>\n

Diana Burbano<\/strong> is a Colombian immigrant, playwright and teaching artist at South Coast Repertory and Breath of Fire Latina Theatre Ensemble. Her work has been seen at OSF,\u00a0The Drama League, San Diego Repertory and Center Theatre Group. Plays:\u00a0Fabulous Monsters, Policarpa, Caliban\u2019s Island, Linda, etc.\u00a0<\/em>She was recently Playwright-in-Residence for Marfa Live Arts in Marfa, TX.<\/p>\n

The Kingdom by the Sea<\/strong><\/a><\/p>\n

By Marco Antonio Rodriguez<\/strong><\/p>\n

Marco Antonio Rodriguez <\/strong>holds an MFA from Southern Methodist University.\u00a0His acclaimed play, Ashes Of Light,<\/em> has received productions in theaters across the nation and internationally.\u00a0It is the recipient of 5 HOLA and 4 ACE awards, including Outstanding Achievement In Playwriting.\u00a0Ashes<\/em> has been published in a bilingual, Spanish\/English edition by NoPassport Press (available on Amazon) and studied at various universities.\u00a0He is the recipient of a Banff International Literary Centre Residency in Canada and a CUNY Dominican Studies Fellowship.\u00a0His play, Barcel\u00f3 On The Rocks<\/em>, was an O’Neill Theater Conference semi-finalist and won the MetLife Nuestras Voces Playwriting competition.\u00a0NoPassport Press published Barcel\u00f3 On The Rocks<\/em> in a dual English\/Spanish edition.\u00a0Marco was commissioned to adapt Julia Alvarez\u2019 best-selling novel, In The Name Of Salom\u00e9<\/em>, into a stage play.\u00a0It is currently enjoying a critically acclaimed, extended run at NY’s Spanish Repertory Theater.\u00a0 www.marcoantoniorodriguez.com<\/a><\/p>\n

Adi\u00f3s mundo cruel<\/strong><\/a><\/p>\n

By Jaime Rivera<\/strong><\/p>\n

Jaime Antonio Rivera Flores<\/strong> was born in Mexico in 1977. He grew up in Xalapa, Veracruz, and moved to the United States at age 24. He has been writing poetry, short fiction, and theatre since age 12. His interest in language and literature began ever since childhood, when he would read short stories, whole books, and sometimes even the encyclopedia just out of curiosity and thirst for knowledge. He got a Bachelor\u2019s degree in Communications from Universidad de Xalapa in 1999, a Masters in Recreation Administration from Georgia Southern University in 2003, a Masters in Spanish Literature and Linguistics from The Florida State University in 2005, and a PhD in Spanish linguistics from that same institution in 2011. He served as First-year Spanish supervisor at the University of Tennessee from 2011 to 2013. In 2013, he joined the Faculty at Georgian Court University, in New Jersey, where he is Assistant Professor of World Languages and Cultures.<\/p>\n

My Suicide Notes<\/strong><\/a><\/p>\n

By Brian Garcia <\/strong><\/p>\n

Brian Garcia<\/strong>\u00a0is an interdisciplinary artist whose work lives at the intersections of mental health, race, gender and sexualities. Garcia’s work has been performed internationally at The John F. Kennedy Center for the Performing Arts (New York City), Links Hall (Chicago) and he continues a passion for community-based theater through Brouhaha International (Liverpool, UK), UDESC & UniRio (Florian\u00f3polis & Rio de Janeiro, Brazil).\u00a0This work is informed by theories of affect, brown-queerness and depression as proposed by members of the Feel Tank Chicago, including Jos\u00e9 Esteban Mu\u00f1oz and expanded by Ann Cvetkovich’s\u00a0Depression: A Public Feeling<\/em>. In the scope of depression as a state of \u201cimpasse\u201d, Brian hopes this work provides refuge for the depressed mind on a journey to find alternatives.<\/p>\n

Short Story<\/strong><\/h2>\n

La isla California<\/strong><\/a><\/p>\n

By Edwin Murillo<\/strong><\/p>\n

Edwin Murillo<\/strong> is Assistant Professor of Spanish in the Modern and Classical Languages and Literatures Department at the University of Tennessee-Chattanooga. He received his doctorate in Romance Studies from the University of Miami. <\/a><\/a>Most of his work focuses on Latin American Existentialism and his articles have appeared in Hispan\u00f3fila<\/em>, Cr\u00edtica hisp\u00e1nica<\/em>, and Hispanic Journal<\/em>, among many others. His poetry, written in Spanglish and Portu\u00f1ol, has appeared in various journals and his short stories have appeared in Di\u00e1logo<\/em> and Confluencia<\/em>. At UTC, he teaches Spanish language, composition, and literature courses.<\/p>\n

Poetry<\/strong><\/h2>\n

Urban Cowboy Love Song<\/a> <\/strong><\/p>\n

By Monica Montelongo Flores <\/strong><\/p>\n

Monica Montelongo Flores<\/strong> is an Assistant Professor of Multiethnic American Literature in the department of English at California State University,\u00a0Stanislaus. She holds a Ph.D. in English from Texas Tech University and her specializations include U.S. Literature, Film and Media Studies, Latinx Cultural Studies, and the American West.<\/p>\n

Too Macha<\/strong><\/a><\/p>\n

By Jackie Cuevas<\/strong><\/p>\n

Jackie Cuevas<\/strong>\u2019s writing has appeared in Sinister Wisdom<\/em>, Stone Canoe<\/em>, and the introduction to the third edition of Gloria Anzald\u00faa\u2019s Borderlands\/La Frontera<\/em>. Cuevas is the author of Post-Borderlandia: Chicana Literature and Gender Variant Critique<\/em> (Rutgers University Press, 2018). Cuevas is a co-founder of Evelyn Street Press, member of Macondo, and faculty member at the University of Texas at San Antonio.<\/p>\n

hurricane san ciriaco 1899 pr<\/strong><\/a><\/p>\n

By Maria Luisa Arroyo<\/strong><\/p>\n

Born in Manat\u00ed, Puerto Rico and raised in the North End of Springfield (MA),\u00a0Mar\u00eda Luisa Arroyo<\/strong>\u00a0was educated at Colby (BA), Tufts (MA) and Harvard (ABD) in German, her third language. She earned her MFA in poetry from the low-residency Solstice MFA program at Pine Manor College. In recognition of her community-based poetry workshops and readings, Mar\u00eda Luisa has received many awards, among them,\u00a0Poet Laureate (2014-2016) of Springfield (MA) and 2016 NEPR Arts & Humanities Award. Her poems appear in many journals, including\u00a0CALYX: A Journal of Art & Literature by Women.\u00a0<\/em>Her poetry collections include\u00a0Gathering Words; Recogiendo Palabras\u00a0<\/em>(Bilingual Review, 2008)\u00a0and the chapbooks\u00a0Flight\u00a0<\/em>(2016)\u00a0and\u00a0Destierro Means More than Exile\u00a0<\/em>(2018).\u00a0Mar\u00eda Luisa Arroyo is Assistant Professor of Writing and First-Year Studies at Bay Path University in Longmeadow, MA.<\/p>\n

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Essay Virgil Su\u00e1rez: memoria y perspectiva ex\u00edlica en la literatura cubano-americana By Ra\u00fal Rosales Herrera Ra\u00fal Rosales Herrera earned his doctorate at Columbia University. He is Associate Professor of Spanish at Drew University in Madison, NJ. 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